Medieval churches
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L'Aquila
S. Maria valle Porclaneta
(Magliano de' Marsi)
S. Maria Assunta
(Caporciano)
Oratorio S. Pellegrino
(Caporciano)
S. Maria in Criptas
(Fossa)
S. Pelino
(Corfinio)
S. Pietro
(Massa d'Albe)
S. Pietro Oratorium
(Capestrano)
Chieti
S. Giovanni in Venere
(Fossacesia)
Pescara
S. Bartolomeo
(Carpineto)
S. Clemente a Casauria
(Castiglione a Casauria)
S. Liberatore a Maiella
(Serramonacesca)
S. Maria D'Arabona
(Manoppello)
S. Maria the Lake
(Moscufo)
S. Maria Maggiore
(Pianella)
S. Tommaso
(Caramanico)
S. Maria in Piano
(Loreto Aprutino)
Teramo
S. Clemente the Vomano
(Guardia Vomano)
S. Giovanni ad Insulam
(Isola del Gran Sasso)
S. Maria Assunta
(Atri)
S. Maria in Vico
(Sant'Omero)
S. Maria of Propezzano
(Morro D'Oro)
S. Maria of Ronzano
(Castel Castagna)
S. Pietro in Campli
(Campli)

 Medieval churches


The history of medieval art in Abruzzo coincides with the monastic religious architecture.

The Benedictine expansion in this region began with the arrival of monks coming from the Montecassino, S. Vincenzo al Volturno and Farfa monasteries. Later on, with the arrival of the Franks, the Benedictines gained power and started the construction of local (autochthonous) abbeys such as S. Liberatore a Maiella and S. Clemente a Casauria.

Several buildings were constructed in quite impracticable places, but safe and well-suited to self defense from probable aggressors and naturally suited to monastic life based on the well known motto ora et labora.

14/12/2004
San Giovanni in Venere (Fossacesia)
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24/10/2006


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